NHAM

Nexus Haven of Awesome Music
NHAM
NHAM
@nham@nham.co.uk

🚨 Formerly @mixtape@nham.co.uk, please follow us here going forwards. 🚨

Music updates from artists in the Fedi who distribute songs on fair platforms.

NHAM is an online music magazine for all things Fedi-music. It draws connections between indie musicians, fair distribution platforms and listeners, under a shared ethos.

We publish regular new music releases, reviews and news from the community to an audience of thousands of unique daily visitors.

As the go-to music curation platform in the Fediverse NHAM also hosts music videos, has a radio channel and contains gig listings for both real life and online performances.

We aim to help develop and nurture the ecosystem which envelopes all of the fair platforms that currently support indie artists in The Fediverse, and in turn enhance discovery, distribution, attribution, fair artist payment, consent and trust. Interoperability and community are key to making this work.

Administered by @ethicalrevolution@climatejustice.social & @sknob@mamot.fr

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What is a Fair Music Platform?

Fair Music platforms can be defined by those which directly support musicians in a transparent manner. Ideally they are open-source collectives. In this article we delve deeper in to the good, the bad and the ugly in music distribution platforms, from the artist point of view.

The Good

I am sure there are some I’ve not yet discovered. If you know of any please do send me (Sam) a message on Mastodon.

The Bad

The following platforms, within the part of the music industry does not work on behalf of musicians, won’t be linked from this website if I can help it. Those which serve ads and trackers. No, thank you.

  • Amazon Music
  • Apple Music
  • Deezer
  • Soundcloud
  • Spotify (read more below)
  • Tidal
  • Youtube Music

The Ugly

Once renowned for supporting underground music, allowing fans to buy downloads and physical media direct from artists and labels, and only taking a small fee themselves, Bandcamp has recently been through two large buyouts, with staff lay offs ensuing. It is neither open-source nor a collective. For these reasons I’d ideally like not to include it. However, I do understand that a lot of small and indie artists still rely on the platform and at present they do still get to take home a decent 80-odd percent of the sales fees, which is still a pretty decent return.

Hopefully in time more artists will be able to direct people to their profiles on the platforms listed at the top of this page.

What’s so bad about Spotify?

  1. None of the mainstream streaming services pay artists more than US $0.01 per stream. And that’s at the very top end, with a premium paying customer in a premium market. Spotify pay the lowest.
  2. Spotify changed their payout system in April 2024 to only pay artists for their streams once that track is streamed at least 1,000 times in a calendar year.
  3. Spotify CEO Daniel Ek invests in AI technology for the military industrial complex and Spotify hosts several podcasts that support it.

The info above is from a thread by Kydia which goes in to more detail.

Revenue Share

While Spotify pay from nothing to peanuts to indie artists, here’s how the recommended platforms compare:

PlatformArtist Share (exc. payment processing fee)
FaircampEssentially 100% as it’s self-hosted.
MirloArtist Decides: Anything from 100% to 0%.
BandwagonCurrently 100% (Premium monthly fee to be introduced soon.)
Subvert100%
Ampwall95% – $10 per year subscription fee
Wavlake90%
Jam.Coop85%
Bandcamp85%

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Posted by NHAM

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